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I’ve been really slow in posting this. It is my adaption of William Blake’s poem “Auguries of Innocence” and I did it more than six months ago. It is very long and I recorded it in my home studio and created a video. It took a very long time, but I think it was…
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I’ve been really slow in posting this. It is my adaption of William Blake’s poem “Auguries of Innocence” and I did it more than six months ago. It is very long and I recorded it in my home studio and created a video. It took a very long time, but I think it was…
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BY CECILE PAUL OCTOBER 8, 2021 If modern art has taught us anything, it is that anything can be considered art. Picasso’s and Braque’s curious peeling newspaper collages of the 1910s spring to mind as the opening act for the ‘Modern Art’ movement. It was at this point in time, in the early 20th century where ‘real’…
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Here is a video and article from the site Open Culture. It relates to what I have written previously about art vandalism and the harsh treatment of it’s less famous perpetrators, especially as it is seen as real artistic expression by some major World artists, particularly Chinese dissident Ai Weiwei. It raises real issues…
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When I write I disturb. When I make a film I disturb. When I paint I disturb. When I exhibit my paintings I disturb, and I disturb if I don’t. I have… Piaf and Cocteau: Les Enfants Terribles
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Here is a video of photos that I took of the beautiful city of Ulm, Germany in January 2020. With the music of J.S.Bach.
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Stan Lee died at the age of 95 on November, 12, 2018. This piece was initially published in early 2016. People are almost always surprised when I tell them Stan Lee is 93. He doesn’t scan as a young man, exactly, but frozen in time a couple of decades younger than he is, embodying still the…
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Stan Lee died at the age of 95 on November, 12, 2018. This piece was initially published in early 2016. People are almost always surprised when I tell them Stan Lee is 93. He doesn’t scan as a young man, exactly, but frozen in time a couple of decades younger than he is, embodying still the…
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Will Self takes a walk through the banlieues of Paris and is astonished by the prescience of Debord’s 1967 masterpiece, which so accurately describes ‘the shit we’re in’ A small green tent was pitched on the small daisy-spotted patch of greenish grass. It looked tidily enough done; suitable perhaps for a summer rock festival. But this…